Starring: Bob Denver, Alan Hale Jr., Jim Backus, Natalie Schafer, Judith Baldwin, and the rest
Director: Leslie H. Martinson
Writers: David Harmon, Al Schwartz, Elroy Schwartz, Sherwood Schwartz
Genre: Comedy
Year: 1978
My rating:
Fifteen years after that three-hour tour and not much has changed on Gilligan's Island. Gilligan and the Skipper are still too dumb to realize that if they built another hut, the Skipper wouldn't have to listen to Gilligan's snoring all night. The Howells are still wealthy and clueless. The Professor is still building wacky stuff out of coconuts and Mary Ann is still cramming her ass into those eye-wateringly tight shorts.
Of course, there is one change. The movie star is now played by Judith Baldwin instead of Tina Louise, which means that she now looks completely different to and is over ten years younger than the real Ginger. Oh well, I was always a Mary Ann man myself.
Let's begin at the beginning. For starters, anyone with ears will notice that the Digiview Productions version of this TV movie ships without the opening and closing theme song. Not that the credits are missing, they're run accompanied by a dignified silence. Presumably Digiview didn't have the rights to the distinctive Gilligan's Island music, even though they tend to release films that are public domain.
I have read about something like this concerning the status of MYSTERY SCIENCE THEATER 3000 episodes. Just because a film has fallen into public domain, it doesn't follow that the whole movie is now free for all. It's possible that after the film company's rights have expired, individual copyrights then revert to the original creators. So while no one may exclusively own the entire film, pieces of it may now be owned by different individuals or companies (i.e. the rights to music, the ownership of the title, etc). This is why you will sometimes see films on MST3k with the original title and opening/closing credits lopped off and a new title and material shoved in their places.
I have no idea if that's what happened in this case, but I thought it was interesting enough to share.
In any event, Gilligan discovers an odd metal disc washed up on the beach. Using this, the Professor fixes his barometer just in time to discover a major tsunami is headed for the island. (I know barometers and tsunamis don't work that way. Don't tell me; tell the Professor.) Facing certain destruction, the castaways decide to tie all their huts together to form a large boat and let the tidal wave sweep them into the shipping lanes. For added safety, they each decide to tie themselves to poles inside the boat while the storm is raging. If anyone reading this has any bizarre bondage fantasy involving any Gilligan's Island character, then this is definitely your DVD. (Shame on you!)
The scheme works, and the former castaways find themselves back among civilization. They each go their separate ways, although they come to discover that life off the island isn't as rewarding as they thought it would be. Indeed at one point, the Professor tries to tie their various misadventures in modern life to the Seven Deadly Sins, but I'm fairly certain that they don't. Of course, I wasn't expecting much from any biblical allusions in RESCUE FROM GILLIGAN'S ISLAND.
I won't give away the exact details of the ending. But given that there were several follow-on TV movies featuring the words "Gilligan's Island" in the title, you shouldn't be totally surprised by the conclusion.
Meanwhile while all that other stuff is going on, it turns out that the metal disc Gilligan found had fallen off of a Soviet spy satellite (complete with recycled Star Trek sound effects). Obviously, this means that two bungling agents must stalk Gilligan to recover their equipment. This subplot springs from nowhere and at the end, to nowhere it returns.
For better or worse, this is exactly like the TV show. All it lacks is a laugh track. Of course, it looks as though it had about the same amount of money spent on it as the original. One assumes the boat scenes were filmed in Sherwood Schwartz's bathtub.
The similarity to the TV series is probably why I liked it. You know exactly what kind of corny, stupid jokes you're going to get. Gilligan is going to do something stupid. The Skipper is going to sit on something freshly painted. The Skipper is going to smack Gilligan with his hat. I had worried that a show that worked better in small doses would be too ridiculous when stretched to 90 minutes, but surprisingly a quick pace prevents this.
There are also some good gags based on everything that the crew missed while on the island. Skipper laments skipping the era of the mini-skirt. The castaways are baffled by the identities of President Carter, President Ford and Mr. Watergate.
My guess is that this was intended at the time to bring the Gilligan's Island of the past into the present to wring out some nostalgia for times gone by. There are a lot of cracks at "modern" day practices: movies are dirtier than Ginger is expecting, the Professor's university is now more interested in money than academics. But to the viewer of today, it just looks like the filmmakers dropping 60s icons into clichés of the 70s. To the 21st century viewer, they are not back in "today", they are just in a different set of pop culture references.
The picture and sound quality on the Digiview Productions release are acceptable, if not actually good. But I'm guessing that if you're trying to impress your friends and enemies with your giant plasma screen and glorious surround sound speakers, this wouldn't be the movie you'd pop into your system anyway.
I doubt there's anyone reading this who doesn't already know if they'd like the movie or not. So, in summation, all I have to say is: "It's Gilligan's Island." Those three words will determine your enjoyment level.
Of course, there is one change. The movie star is now played by Judith Baldwin instead of Tina Louise, which means that she now looks completely different to and is over ten years younger than the real Ginger. Oh well, I was always a Mary Ann man myself.
Let's begin at the beginning. For starters, anyone with ears will notice that the Digiview Productions version of this TV movie ships without the opening and closing theme song. Not that the credits are missing, they're run accompanied by a dignified silence. Presumably Digiview didn't have the rights to the distinctive Gilligan's Island music, even though they tend to release films that are public domain.
I have read about something like this concerning the status of MYSTERY SCIENCE THEATER 3000 episodes. Just because a film has fallen into public domain, it doesn't follow that the whole movie is now free for all. It's possible that after the film company's rights have expired, individual copyrights then revert to the original creators. So while no one may exclusively own the entire film, pieces of it may now be owned by different individuals or companies (i.e. the rights to music, the ownership of the title, etc). This is why you will sometimes see films on MST3k with the original title and opening/closing credits lopped off and a new title and material shoved in their places.
I have no idea if that's what happened in this case, but I thought it was interesting enough to share.
In any event, Gilligan discovers an odd metal disc washed up on the beach. Using this, the Professor fixes his barometer just in time to discover a major tsunami is headed for the island. (I know barometers and tsunamis don't work that way. Don't tell me; tell the Professor.) Facing certain destruction, the castaways decide to tie all their huts together to form a large boat and let the tidal wave sweep them into the shipping lanes. For added safety, they each decide to tie themselves to poles inside the boat while the storm is raging. If anyone reading this has any bizarre bondage fantasy involving any Gilligan's Island character, then this is definitely your DVD. (Shame on you!)
The scheme works, and the former castaways find themselves back among civilization. They each go their separate ways, although they come to discover that life off the island isn't as rewarding as they thought it would be. Indeed at one point, the Professor tries to tie their various misadventures in modern life to the Seven Deadly Sins, but I'm fairly certain that they don't. Of course, I wasn't expecting much from any biblical allusions in RESCUE FROM GILLIGAN'S ISLAND.
I won't give away the exact details of the ending. But given that there were several follow-on TV movies featuring the words "Gilligan's Island" in the title, you shouldn't be totally surprised by the conclusion.
Meanwhile while all that other stuff is going on, it turns out that the metal disc Gilligan found had fallen off of a Soviet spy satellite (complete with recycled Star Trek sound effects). Obviously, this means that two bungling agents must stalk Gilligan to recover their equipment. This subplot springs from nowhere and at the end, to nowhere it returns.
For better or worse, this is exactly like the TV show. All it lacks is a laugh track. Of course, it looks as though it had about the same amount of money spent on it as the original. One assumes the boat scenes were filmed in Sherwood Schwartz's bathtub.
The similarity to the TV series is probably why I liked it. You know exactly what kind of corny, stupid jokes you're going to get. Gilligan is going to do something stupid. The Skipper is going to sit on something freshly painted. The Skipper is going to smack Gilligan with his hat. I had worried that a show that worked better in small doses would be too ridiculous when stretched to 90 minutes, but surprisingly a quick pace prevents this.
There are also some good gags based on everything that the crew missed while on the island. Skipper laments skipping the era of the mini-skirt. The castaways are baffled by the identities of President Carter, President Ford and Mr. Watergate.
My guess is that this was intended at the time to bring the Gilligan's Island of the past into the present to wring out some nostalgia for times gone by. There are a lot of cracks at "modern" day practices: movies are dirtier than Ginger is expecting, the Professor's university is now more interested in money than academics. But to the viewer of today, it just looks like the filmmakers dropping 60s icons into clichés of the 70s. To the 21st century viewer, they are not back in "today", they are just in a different set of pop culture references.
The picture and sound quality on the Digiview Productions release are acceptable, if not actually good. But I'm guessing that if you're trying to impress your friends and enemies with your giant plasma screen and glorious surround sound speakers, this wouldn't be the movie you'd pop into your system anyway.
I doubt there's anyone reading this who doesn't already know if they'd like the movie or not. So, in summation, all I have to say is: "It's Gilligan's Island." Those three words will determine your enjoyment level.
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